A warm, exacting identity and online shop for a two-person ceramics studio.
Kiln & Kin is a concept: a fictional studio where two potters make small batches of tableware, sold online and at a weekend studio shop.
Craft brands often lean so hard on “handmade” that they look like every other craft brand. The work itself is the opposite of vague: weights, glazes and firing temperatures are tested and recorded.
The identity needed to hold both sides — the softness of thrown clay and the precision of the process.
The mark is a single thrown form, slightly irregular, with a thumbprint lifted from its rim. It always sits on a strict grid: the hand inside the system.
A high-contrast serif carries the warmth; a monospaced face carries the facts — codes, clay bodies, glazes, temperatures — exactly as they appear in the studio notebook.
Labels double as records. Each piece ships with its code and firing details, which builds trust and makes reordering a matching glaze simple.
The shop keeps the photography large and the interface quiet: the vessels do the selling, the grid does the organising.
Drawn from the studio: raw clay, bisque, kiln ash and a celadon glaze.
Each batch is released as a small, dated collection, so the homepage changes with the kiln schedule rather than with sales campaigns.
Product pages carry the same specification as the label, so the details people ask about are answered before they ask.
Brand identity, Motion, Web design
A loud, living identity and schedule site for a community radio station.
View case study: Fieldnote FMTell me what you’re making and where it needs to go — a new identity, a website, or both. Email is the quickest way to reach me.
wajuogunde@gmail.com